Arts and Neurosciences is an electronic journal aiming to propose a new perspective on empirical studies of aesthetic experience and plastic as well as performative arts, such as cinema, photography, music, dance, comics, video and painting.

Over the past few years, scientists have joined forces with philosophers in integrating current issues in cognitive science and philosophy of mind in the fields of aesthetics and art theory, suggesting new strategies for understanding the relationship between art and cognition. In doing so, they have initiated new hypothesises and developped conceptual tools for exploring fundamental psychological and cognitive processes in relation to the arts, from classical art forms to avant-garde innovations.

The Arts and Neurosciences Review presents discussions, forums, articles and reviews inspired by current research from cognitive neuroscience, psychology, artificial intelligence, social cognition and philosophy of mind. It provides an essential overview of contemporary debates and theories about art -its practice, its products and the experiences it brings about.

The Arts and Neurosciences Review was designed to serve as an interdisciplinary platform where all interested in art can discuss key themes at the junction of aesthetics and empirical sciences -every aspect of what we might call " the cognitive revolution" of aesthetics and art.